永远的万事屋

宅男遇上被遗弃的狗狗，一起度过温暖又充满爱的时光。 被未婚妻无情抛弃的赤西民夫（田中圭饰）每天意志消沉，上司为了让他重新振作，送了一只同样被主人抛弃的大白狗给他领养。曾被主人欺负的大白狗没法汪汪吠叫，只能发出“haw”的叫声，于是民夫为他取名“小巧”。两个曾被遗弃的灵魂，慢慢为对方打开心扉，一人一狗成了影形不离的伙伴。正当民夫的心灵创伤快要被治愈好时，小巧却意外走失，四处流浪，为沿途遇上的失意人奉上最温暖的阳光。。本剧改编自富樫伦太郎的小说，讲述了曾在杉并中央署“事事商谈室”工作的冬彦和寅三现在所属的警视厅特命对答室第5系，只负责精英集团的杂务，也就是所谓的落后部门。警察是Z世代的备品系系美雪，不靠谱的系长山花，而且因为冬彦他们被称为“零系”…。在这样的情况下，有人找冬彦证明自己的清白。咨询者·希久子主张的是2年前在金泽发生的杀人事件。不久后，其子公麻吕企图自杀，被害者玲佳控告其为跟踪狂，因此在未开庭审理的情况下将其列为杀人犯。冬彦迅速浏览了公麻吕的日记，有所触动，突然“去金泽”，擅自开始了被禁止的搜查。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。