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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。もと関東東菊会幹部江川組々長・江川紘一は、今では足を洗い銀座のクラブ・マドリッドを経営し、情婦の晃子と平穏な生活を送っていた。関西西日本連合会が全国制覇の最後の拠点、東京・銀座に乗り出して来た。銀座の中心マドリッドに目をつけた西日本連合会だが、東菊会の剛原も同幹部・矢崎竜二を指し向けて、マドリッド買収に乗り出した。しかし、江川はあくまでマドリッドを守る態度を示した。一方、東菊会たちの仕業に腹をすえかねた江川の配下の望月たちは、江川に内密で江川組再建を企てた。望月はチンピラ数人で、東菊会経営の新興企画の新人歌手・天野マリを誘拐し、それを西日本連合会の仕業にみせかけ一億円の恐喝を行なった。そして、数日後、天野マリが死体で発見され、マスコミはこの事件の背後に関東・関西の暴力団の抗争がからんでいると騒ぎたてた。望月は一億円を手に入れ、元江川組々員・浜勇喜に金...。